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2103 – A Year of Change

January 8, 2013

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I am not sure how many New Year’s one gets to start in their lifetime knowing ahead that it will be a year of monumental, yet exciting change. Some of you may have felt some apprehension in my last post, announcing my family’s move to stateside to Oregon. I’ve come to embrace this change. In fact, I think all of us, including my young son are ready and excited to go sooner than later.

We had the opportunity to travel to our new home in November. That is when all worries we forgotten. We walked through forests, climbed waterfalls, ran along the Columbia Gorge, biked along the Willamette, fell in love with the coastline (understatement!) and last but not least sampled numerous outstanding locally produced Pinot Noirs =) Oregon is beautiful and I cannot wait to explore every inch of it. All that said, there is no question I will miss all my friends and loyal clientele back here in Ontario.

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Fleur, Head Study, 10×10 oil on canvas

In the studio, I’ve been slowly working around household renovations to produce a follow-up commission of a young mare named Fleur. I painted her back in 2009 as a foal. It’s always so exciting for me to revisit these subjects after they have grown and started to fill out. I worked out a sample palette in the head study and begun the large final, to be 36×36 of her in motion.

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Fleur, Work in Progress, Rough in Stage, 36×36 oil on canvas

Last but certainly not least, I have proudly been accepted in my third Ex Arte Equinus Juried Show. Poppy was accepted into the painting category. Be sure to check out the rest of the show of Ex Arte Equinus VI – a fantastic array of equine art from around the world. http://www.arthorsemagazine.com/exarte6/art_competition_winners6.html

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Poppy, 9×12 oil on canvas – accepted in ExArte Equinus VI

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Re-Location, Re-Location, Re-location

October 1, 2012

Twist, 14×18 Oil on Canvas, Private Commission

Two months ago I had a rare date-night with my husband. If you have young children, I’m sure you understand how special and hard to come by those nights are. While sitting cozily in a quaint, local restaurant sipping a glass of red, I confessed to my other half that I had been feeling that some kind of life changes were coming our way. Of course he asked what change?? The truth is, I had no clue!  That explained my feeling of restlessness over this possibility of change. I could not put a finger on what change was going to take place. A couple of weeks later my husband received a job offer which would re-locate our family from the Hills of Headwaters, Ontario – to somewhere yet to be determined in the USA…?

Am I part psychic (lol) or did my openness to the possibility of change allow this opportunity to come through? I’m still scratching my head over this in between my feelings of excitement, anxiety and pure terror!!! I am of course incredibly proud of my hardworking other half for his well-deserved promotion.

Over the last couple weeks, I’ve networked with other families who have made similar moves over the course of their lives as well as families that didn’t take the chance – only to regret it. When I stop worrying about logistical challenges and leaving dear friends & family behind, I begin thinking from a positive frame of mind. How lucky we are have the opportunity to have a chance to live in a completely different setting. We would meet new people and explore new landscapes. Our seven-year old son surprised me the other day by stating out of the blue – ‘Mommy, I can’t wait to meet the new students at my new school’…this made me tear up, because I’ve been quite fearful over him not coping with the move and leaving his friends behind too.  I’ve since been told my many friends, that it’s parents that cope with change poorly, not kids!

Piles of Places…now where to live??

We have the option to live anywhere from the mid-west to west coast USA. Given our lifestyle and proximity to the coast, many friends have told us that Oregon might be the spot for us. After spending hours pouring over travel literature, I’ve since learned that I’ve been saying it all wrong, Oregon is pronounced ‘Or-uh-gun’…not ‘Or-ee-gone’…am I ever grateful to figure that one out before looking like a fool by possibly moving there and saying the state name all wrong!

Thankfully we have some time as this move will take place sometime in the late spring/early summer of 2013.  In the meantime we are seeking our new home, suggestions welcome! ;)

btw- in effort to clear some out before impending move – Dutch Auction is up and running – click HERE for included works.

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Thinking Bigger

July 4, 2012

It is possible I think about painting more than I actually paint. Or to be more specific, I think about “the process” of painting more than I paint.   I don’t think this is a new habit, but one that I am becoming very aware of as I evolve my style into a looser, expressive genre. It seems to make sense that all my studio processes evolve too.

Commissioned Oil Study of Trapp

I’ve had a refined process for my oil commissions for years now.  Photo shoot, followed by small oil sketch studies, then after client review we move into the bigger detailed painting.  I’ve been very comfortable with this process.  I had a plan and my client knew my plan.  If I were to stay working in a realistic style of work where the end result is so predictable, this process could possibly remain lifelong.  But I’m moving forward with new freedom and expression as a painter…oh crap…does this process still work????

I’m also realizing that working bigger in a looser style requires changing some method habits I’ve developed over the years:

Habit #1, Brush Size:  Oh flat brush #2, I’ve developed a comfort level with you, but a bigger painting deserves a bigger brush so I can lay that colour down.  I want my brush strokes to be decisive and commanding.  It’s impossible to have this intent with a little brush in lots of itty-bitty brush strokes.

Habit #2, Amount of Paint to Mix:  Bigger brushes, bigger paintings, need more paint. I”m afraid this is a hard one to break begin the paint miser that I am, but I’m working on mixing larger piles. I’ve got my eye on a French Mistress (hey not that kind of Mistress!) A big glass palette box, that I can mix my large piles, rather than the 11×14 palette sheets I’m currently using and running out of room on.

Habit #3, Distance from the Canvas: ….”step away from the canvas…step further away from the canvas…”  This doesn’t require much explanation, but might require some studio re-organization so I can get farther away.

Lastly, I’ve decided to abandon the small sketch study process I’ve had for years. Bravely, I’m moving straight onto the bigger canvas. I hope some of those wonderful and spontaneous brushwork moments I experience in my small study work will begin to surface on the larger canvas as I adjust my other work habits.  I’ve realized trying to re-create a spontaneous moment in painting..is well, just not that spontanious..go figure!!

Capricho, 11×14 oil on canvas panel. This painting I abandoned all brushes and began as a finger painting. How’s that for saying bye to #2 flat? ;)

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An Empty Studio

June 5, 2012

Maddie Winter 2012

A little over a week ago,  I said goodbye to my studio companion and family member ‘Maddie’.  So many friends have faced this decision before, but Maddie was my first dog.  This was my first time having to make that choice for an animal.  In fact, in my Maddie-love moments over the years, I would start to blubber even thinking about the day I would lose her. My husband would look at me like ‘Why are you crying?  she’s right here, healthy in front of you!’  Silly I know, but she was an awesome dog.

I haven’t been able to pick up a paint brush in the studio yet, as she was always so close, keeping me company.  Things are different here.  I thought it would be therapeutic to share a few stories about her. A tribute to my Maddie, I guess you could say.  Maybe one day in the future I will paint her, but right now, I am content to look at her pictures and imagine my fingers in her fur while she looked at me with her soulful loving eyes.

Maddie and Buster, partners in food crimes, 2001

It is possible that I could entertain you with Maddie’s adventures in food crimes alone as there are plenty of stories.  She often employed other dogs to enable her to reach whatever treat was just beyond reach.  In the above sketch she is smiling with her buddy Buster,  back from when we lived in Erin, Ontario.  Buster, our landlord  John’s dog, was famous around town for going out on garbage day and helping himself to all the neighbors trash.  Together formed a formidable food stealing duo.

One night in Erin, we were so lucky to have a friend come over bearing fresh seafood ingredients to make his famous seafood Paella, complete with homemade fish stock  (ie, all sorts of fish parts, required) . We enjoyed food and (many) drinks with friends, forgetting about the seafood smorgasbord the dogs were likely already conspiring for. After a hangover curing, greasy spoon breakfast, we returned to a pungent odor from outside the screen door. Inside, a  seafood war had broken out.  Our apartment was strewn with mussel, clam shells and shrimp heads.  That wasn’t the worst part, it appeared the fiercest food battle between the dogs took place in our bedroom.  Under the covers, we found the components of the homemade broth. This consisted of fish heads, guts and other grizzly remains. Yes, it was disgusting. We found the two dogs, blissfully sleeping in the yard with somewhat distended bellies.

Maddie and Buster also celebrated holidays together.  I’ve always been told chocolate can make dogs very sick, but it would seem the stomach of steel duos could also survive helping themselves to Christmas chocolates. They made sure to carefully unwrap the Christmas paper and foil wraps on each chocolate. Perhaps this was to ensure proper digestion, or good manners in the spirit of the holiday season.

Tired Child, Smiling Maddie

In 2005 along came Aiden. Neither Brad or I were sure how Maddie would react.  She was always the centre of our lives, and now she would have to share the spotlight.  Well, she was pissed off.  She didn’t like the situation one bit.   At about 4 months when Aiden started sleeping through the night, Maddie stopped sleeping through the night.  She wandered the hallway crying and restless.  I don’t think she knew her place anymore.  She was clearly unhappy.  A dear friend on a farm with two other dogs, whom Maddie loved visiting, offered to take her for a ‘rehab’.  We picked her up about a week later, an entirely well-adjusted, contented dog.  In that time to clear her head, I think she realized that Aiden wasn’t going anywhere. Perhaps she had discovered Aiden would be an excellent new source of food!  Aiden and Maddie grew a beautiful bond.   She was his protector, sleeping with him every night, guarding from monsters in the closet and things that might lurk under the bed in the wee hours of the night.  There is incredible beauty in watching a child develop a love for a pet.  I hope Aiden is old enough to remember all the times he had with her into his adulthood.

Camping at the French River, 2010

She also wore the badge of  official vegetable garden protector.  Some of you might know,  I have a passion for growing vegetables.  Maddie helped to ensure no cat or squirrel dare dig in my precious beds.  Being a dog that loved to protect came with its downsides of course. Like the time she got skunked and promptly  rolled on John’s Persian rugs to help herself alleviate the stench.

Her Spot, just outside my Studio

Maddie aged graciously.  She came back from the vet’s office on three occasions over four years with a prognosis of months to live. She showed us (and the vet) time and time again, she was not ready to accept this sentence.  I made all of her dog food and looked after her senior supplements religiously.  I feel great pride to know I have been a good dog mom.  In the final days, Maddie still wore her smile, but she walked with a horrible limp.  The day before we were to leave for a family vacation without her, her leg was becoming painful to palpate and not load bearing.  A certain look had changed in her eyes.  It was then we knew.

She lived a long, full life.  She was a member of our family for 12 years of her 14 and possibly 15 years of life.  I am grateful to have had such an incredible rescue dog in our lives.  Thank you for letting me share my story about Maddie.  I feel better already now that more people in the world know how great she was.

Thank you Maddie – the Best Dog Ever!

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Finding Inspiration Part II – Emergence from the Cave

May 10, 2012

If you have been reading my blog for sometime, you will know I have a place I affectionately (more often not so affectionately) known as ‘the cave’.  I know its name is corny, but it seems to be the best description for the mental place I go when I’m undergoing change, experimenting with the canvas and doing some deep soul-searching about my paintings. By the date of my last blog post (February – eeeks!!) it would seem I’ve been in the cave for sometime.  I am happy to say over the past couple weeks, I’ve been poking my head out and starting think I will finally emerge from the cave victorious!!

I’ve been busy exploring colour.  After the workshop I attended in November I came home using a limited palette of 5 colours + white.  My time in the cave has revealed this -  I’m not a limited palette artist. Yes, I can mix the palette and some artists will swear by it, but right now I’m taking some great ownership in saying it’s not for me. I felt constricted by the boundaries and given my often limited time that I get to the easel, when the paint starts flying, it’s so much easier to have a broader range of warm/cool colours ready to mix.  It has made a huge difference in my method. An A-Ha moment!

My Palette

So here it is, (before things got really messy!) Top row cool ranging from Magenta to Viridian.  Bottom row ranging from Alizarin to Lemon Yellow (and btw, hello Lemon Yellow, where have you been all my painting life??!)  I have ended my relationship (for now at least) with Cadmium Orange and opting for Cad red over Cad red light. When I want to increase the light or temperature, I just move up or down the palette.

Playing with Trapp in Red, 9×12 Oil on Canvas Panel

Trapp in Red, was the first painting I completed using this palette. I feel that I am really beginning conveying the sense of warmth. Yet, i’m freeing up to infuse my own sometimes quirky and unexpected hits of colour. In this case, the blue touches in the background and subtle hits on the horse figure.

‘Poppy’ in the Sun. 9×12 oil on canvas panel (sold)

A couple of weeks later, along came ‘Poppy in the Sun’.  I’ve had this painting in my brain for sometime, envisioning a sun-drenched feel to this Clyde X mare with a roan coat.  You might know the artist brain can be incredibly hard on its self, I am not alone here right? So when I say I look at this painting and “I can’t believe I painted that”, I truly feel great joy in making that statement :)   I’m in particular awe with how her hindquarters through her barrel have mass to them, but yet, seem to convey the translucency of reflecting light.  Another exciting moment of colour is found in her blaze, with a subtle shift of cool grey blue, the addition of lemon yellow pushes the colour slightly warmer and gives some structure to her head.

So while I may not have been busy blogging, I’ve certainly been busy in ‘the cave’. I would like to take a moment to say a big “THANK YOU” to my current clients who have hired me to paint their horses during my time of transition from traditional portraiture to expressive works.  They really didn’t know what they were going to get, but yet had faith knowing I would work it out in my new direction.

Final reminder to check my ‘Available’ page routinely – New Original Works added often and they do move quickly! So don’t hesitate if you see something you like!

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Finding Inspiration?

February 15, 2012

Poetic Eskimo (Posey) 12x16 Oil on Canvas Panel

Signed, framed and ready to go home.  The portrait of Posey was created for a client turned very dear friend.  I have a few close horse friends, myself included, that have fallen for a special and sometimes “ornery” mare.  Posey is that mare for my friend ‘JZ’.  I always feel an extra warmth when creating a painting for a friend, especially one that has grown with me as an artist as well.

In the same week I completed the painting of Posey I signed (and already SOLD) this new original artwork:

"Coppered Grey" 12x16 Oil on Canvas, Unframed

There is something so electrifying about Alla Prima painting in an expressive style. Now that I have completed the bulk of my commission orders, I will spend some time in this style for a while.  Unfortunately, getting into the expressive painting zone isn’t like turning a switch on; it can be elusive.  At least the rational side of my brain knows that every artist experiences this, sometimes burgeoning on a creative breakthrough.  To help me get through this an artist friend passed this TED talk on to me, Elizabeth Gilbert (author Eat, Pray, Love) on nurturing creativity -

There seems to be so much pressure I put on myself to demand creativity, I decided to try and not be so hard on myself. I will allow myself to spend some time getting inspired and just let the creativity flow from there – if it shows up for work too  ;)

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Francis & Harry

February 1, 2012

Francis and Harry, 14x18 Oil on Canvas

Fresh from the easel are two commissioned paintings of mare and foal, Francis and Harry. I was more than halfway through these paintings when I left for my workshop with Vicki McMurry in Texas.  Needless to say, it was difficult returning infused with new knowledge but having started these paintings using my old palette and usual techniques. In order to maintain a cohesive look, I continued as I had completed the studies prior to the workshop.  For a detailed view of these paintings in progress – see my Facebook Album of Francis and Harry, HERE

Francis & Harry II, 14x18 Oil on Panel

Moving forward, I have to complete one final commission painting begun prior to my workshop experience. I expect her to be completed within the next week, then it’s play time to work in a new direction.  I am imagining some learning curves and a few paintings added to the canvas graveyard in the process ;)   However I am looking forward to  investigating the possibilities of a new palette and looser techniques.

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